As Kurt Maetzig, one of the GDR’s most respected filmmakers and the director of the banned film Das Kaninchen bin ich (The Rabbit is Me, 1965) declared publicly after his film was criticized: “I . . . believed I was firmly in line with the Party. It has only now become clear to me that I got out of line, and I don’t even know if I’ve gotten to the bottom of it yet.” Filmmakers could never be sure, when they began working on a film, exactly what kind of cultural climate might prevail on its completion. //Brockmann, S. A Critical History of German Film[M].New York: Camden House, 2010:215.
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